Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa
General Material Designation
[Thesis]
First Statement of Responsibility
Story, Dexter Gordon Bryan
Subsequent Statement of Responsibility
Boum, Aomar
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
University of California, Los Angeles
Date of Publication, Distribution, etc.
2019
GENERAL NOTES
Text of Note
102 p.
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Body granting the degree
University of California, Los Angeles
Text preceding or following the note
2019
SUMMARY OR ABSTRACT
Text of Note
This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning.