artistic encounters between Europe and Asia at the courts of India, 1580-1630 /
First Statement of Responsibility
by Mika Natif.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Boston :
Name of Publisher, Distributor, etc.
Brill,
Date of Publication, Distribution, etc.
[2018]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xix, 310 pages)
SERIES
Series Title
Studies in Persian cultural history ;
Volume Designation
volume 15
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Mughal tolerance and the encounters with Europe -- Mughal masters and European art : tradition and innovation at the royal workshops -- European articles in Mughal painting -- Landscape painting as Mughal allegory : micro-architecture, perspective and ṣulḥ-i kull -- Concepts of portraiture under Akbar and Jahangir.
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SUMMARY OR ABSTRACT
Text of Note
In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.