prose fiction, dramatic romance, and Shakespeare /
First Statement of Responsibility
edited by Mary Ellen Lamb and Valerie Wayne.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Routledge,
Date of Publication, Distribution, etc.
2009.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 261 pages :
Other Physical Details
illustrations ;
Dimensions
24 cm.
SERIES
Series Title
Routledge studies in Renaissance literature and culture ;
Volume Designation
11
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Continuities and incongruities. Introduction: into the forest / Mary Ellen Lamb and Valerie Wayne -- The sources of romance, the generation of story, and the patterns of the Pericles tales / Lori Humphrey Newcomb -- "Asia of the one side, and Afric of the other": Sidney's unities and the staging of romance / Cyrus Mulready -- Page and stage. "A Note Beyond Your Reach": prose romance's rivalry with Elizabethan drama / Steve Mentz -- Hamlet and Eourdanus / Goran Stanivukovic -- Reading the book of the self in Shakespeare's Cymbeline and Wroth's Urania / Sarah Wall-Randell -- Virtual audiences and virtual authors: The winter's tale, The tempest, and old wives' tales / Mary Ellen Lamb -- Gender and agency. The issue of the Corpus Christi cycles, or "religious romance," in The winter's tale / Gloria Olchowy -- Romancing the wager: Cymbeline's intertexts / Valerie Wayne -- John Fletcher's Women pleased and the pedagogy of reading romance / Joyce Boro -- Undoing romance: Beaumont and Fletcher's resistant reading of The countess of Pembroke's Arcadia / Clare R. Kinney -- Probable infidelities from Bandello to Massinger / Lorna Hutson -- Afterword: Shakespeare and romance / Barbara A. Mowat.
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SUMMARY OR ABSTRACT
Text of Note
This collection recovers the continuities between two modes of romance that have long been separated from one another in critical discourse: the prose fictions that early moderns often referred to as romances, and Shakespeare's late plays, which have often been termed 'romances' since Dowden.
PERSONAL NAME USED AS SUBJECT
Shakespeare, William,1564-1616
Shakespeare, William,1564-1616-- Knowledge and learning.
Shakespeare, William, 1564-1616
Shakespeare, William,1564-1616.
Shakespeare, William.
TOPICAL NAME USED AS SUBJECT
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.
English prose literature-- Early modern, 1500-1700-- History and criticism.
Romances, Adaptations.
Romances, English-- Adaptations-- History and criticism.