Family and the law in eighteenth-century fiction :
General Material Designation
[Book]
Other Title Information
the public conscience in the private sphere /
First Statement of Responsibility
John P. Zomchick.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Cambridge :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
1993
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xviii, 210 Seiten)
SERIES
Series Title
Cambridge studies in eighteenth-century English literature and thought ;
Volume Designation
15
GENERAL NOTES
Text of Note
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
SUMMARY OR ABSTRACT
Text of Note
Family and the Law in Eighteenth-Century Fiction offers challenging interpretations of the public and private faces of individualism in the eighteenth-century English novel. John P. Zomchick begins by surveying the social, historical and ideological functions of law and the family in England's developing market economy. He goes on to examine in detail their part in the fortunes and misfortunes of the protagonists in Defoe's Roxana, Richardson's Clarissa, Smollett's Roderick Random, Goldsmith's The Vicar of Wakefield and Godwin's Caleb Williams. Zomchick reveals in these novels an attempt to produce a 'juridical subject': a representation of the individual identified with the principles and aims of the law, and motivated by an inherent need for affection and community fulfilled by the family. Their ambivalence towards that formulation indicates a nostalgia for less competitive social relations, and an emergent liberal critique of the law's operation in the service of society's elites.
OTHER EDITION IN ANOTHER MEDIUM
Title
Family and the law in eighteenth-century fiction.
PARALLEL TITLE PROPER
Parallel Title
Family et the Law in Eighteenth-Century Fiction
TOPICAL NAME USED AS SUBJECT
English fiction-- 18th century-- History and criticism.