theatre in the academy from philololgy to performativity /
First Statement of Responsibility
Shannon Jackson.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
2004.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xi, 254 pages).
SERIES
Series Title
Theatre and performance theory
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Discipline and performance: genealogy and discontinuity -- Institutions and performance: professing performance in the early twentieth century -- Culture and Performance: structures of dramatic feeling -- Practice and performance: modernist paradoxes and literalist legacies -- History and performance: blurred genres and the particularizing of the past -- Identity and performance: racial performativity and anti-racist theatre.
0
SUMMARY OR ABSTRACT
Text of Note
Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context. This 2004 book considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. Throughout, she explores the institutional history of performance in the US academy in order to revise current debates around the role of the arts and humanities in higher education.