The politics and poetics of journalistic narrative :
General Material Designation
[Book]
Other Title Information
the timely and the timeless /
First Statement of Responsibility
Phyllis Frus.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
1994.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xxiv, 292 pages ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 261-283) and index.
CONTENTS NOTE
Text of Note
Introduction: What Isn't Literature -- 1. Writing After the Fact: Crane, Journalism, and Fiction -- 2. "News That Stays": Hemingway, Journalism, and Objectivity in Fiction -- 3. News That Fits: The Construction of Journalistic Objectivity -- 4. Other American New Journalism: 1960s New Journalism as "Other" -- 5. The "Incredibility of Reality" and the Ideology of Form -- 6. Freud and Our "Wolfe Man": The Right Stuff and the Concept of Belatedness.
0
SUMMARY OR ABSTRACT
Text of Note
"The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between "journalism" and "fiction" is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it "makes" reality. Frus also takes up the problem of how we determine both the truth of historical events such as the Holocaust and the fictional or factual status of narratives about them." "Frus first examines narratives by Stephen Crane and Ernest Hemingway, showing that conventional understanding of the categories of fiction and nonfiction frequently determines the differences we perceive in texts, differences we imagine are determined by common sense. When journalists writing about historical events adopt the Hemingwayesque, understated narrative style that is commonly associated with both "objectivity" and "literature" (John Hersey is one example), the reader sees the damage done by the wholesale construction of literature as a "pure," nonfunctional art; it leads to an audience unable to face the historical and social conditions in which it must function. She interprets New Journalistic narratives by Truman Capote, Norman Mailer, Tom Wolfe, and Janet Malcolm, suggesting by her critical practice ways to counter the reification of modern consciousness to which both objective journalism and aestheticized fiction contribute."--Jacket.
TOPICAL NAME USED AS SUBJECT
American prose literature-- 20th century-- History and criticism.
Journalism-- United States-- History-- 20th century.
Narration (Rhetoric)
Nonfiction novel-- History and criticism.
Politics and literature-- United States-- History-- 20th century.
Reportage literature, American-- History and criticism.
American prose literature-- 20th century-- History and criticism.
American prose literature.
Amerikaans.
Erzähltechnik
Geschichte 1900-1990.
Journalism-- United States-- History-- 20th century.
Journalism.
Journalismus
Journalistiek proza.
Narration (Rhetoric)
Narration (Rhetoric)
Nonfiction novel-- History and criticism.
Nonfiction novel.
Politics and literature-- United States-- History-- 20th century.
Politics and literature.
Prosa
Prosa.
Reportage literature, American-- History and criticism.