Acknowledgments; I: Culture; II: Vocality; III: Self-Consciousness; IV: Performance; V: Social Presence; VI: Readers; VII: The Narcissistic and the Personal; VIII: Models of Culture; IX: Conclusion; Index of Names.
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SUMMARY OR ABSTRACT
Text of Note
The place of poetry in modern democracy is no place, according to conventional wisdom. The poet is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky argues that this gloomy diagnosis is wrongheaded and writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. One of the country's most accomplished poets, Robert Pinsky served two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. He states that as part of the entertainment industry poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/cttsznb
OTHER EDITION IN ANOTHER MEDIUM
Title
Democracy, culture, and the voice of poetry.
International Standard Book Number
9780691096179
TOPICAL NAME USED AS SUBJECT
American poetry-- 20th century-- History and criticism.