The performance of pleasure in English Renaissance drama /
General Material Designation
[Book]
First Statement of Responsibility
Ronald Huebert.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
2003.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 218 pages ;
Dimensions
23 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 201-211) and index.
CONTENTS NOTE
Text of Note
Interpreting pleasure -- Tobacco and boys : Christopher Marlowe -- A shrew yet honest : Ben Jonson -- The adverse body : John Marston -- One wench between them : Thomas Heywood, Francis Beaumont, and John Fletcher -- Impossible desire : John Webster -- An art that has no name : Thomas Middleton -- Endless dreams : John Ford.
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SUMMARY OR ABSTRACT
Text of Note
"Huebert offers new and theatrically informed readings of plays by a broad range of Renaissance dramatists, including Marlowe, Jonson, Marston, Webster, Middleton, and Ford. Writing against the grain of current critical orthodoxies, Huebert foregrounds the theatrical author (in the sense that one playwright's take on pleasure differs radically from another's), the interaction of characters (in the sense that pleasures of many kinds are the product of interpersonal negotiations), and agency (insofar as the drama confers particular authority upon pleasures freely chosen). Some of the issues raised here, like the distribution of pleasure by gender and the pivotal notion of consent, are questions that intersect with feminist reinterpretations of Renaissance literature and culture."--Jacket.
TOPICAL NAME USED AS SUBJECT
Aesthetics, British.
Aesthetics, Modern-- 16th century.
Aesthetics, Modern-- 17th century.
English drama-- 17th century-- History and criticism.
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.