Cambridge studies in Renaissance literature and culture ;
Volume Designation
21
GENERAL NOTES
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Based on the author's thesis (Ph. D.)--Columbia University.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
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Includes bibliographical references (pages 195-208) and index.
CONTENTS NOTE
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1. Introduction -- 2. The homoerotics of marriage in Ovidian comedy -- 3. The homoerotics of mastery in satiric comedy -- 4. The homoerotics of favoritism in tragedy -- 5. The homoerotics of masculinity in tragicomedy.
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SUMMARY OR ABSTRACT
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DiGangi analyses the relation between homoeroticism and social power in a range of literary and historical texts from the 1580s to the 1620s, drawing on insights from materialist, queer and feminist theory to show the centrality of homoerotic practices.
TOPICAL NAME USED AS SUBJECT
English drama-- 17th century-- History and criticism.
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.
Eroticism in literature.
Homosexuality and literature-- England-- History-- 16th century.
Homosexuality and literature-- England-- History-- 17th century.
Literature and society-- England-- History.
Order in literature.
Politics and literature-- Great Britain-- History-- 16th century.
Politics and literature-- Great Britain-- History-- 17th century.
Renaissance-- England.
Sex in literature.
Sodomy in literature.
English drama-- 17th century-- History and criticism.
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.
English drama-- Early modern and Elizabethan.
English drama.
Eroticism in literature.
Eroticism in literature.
Homoseksualiteit.
Homosexuality and literature-- Great Britain-- History.
Homosexuality and literature.
Literature and society.
Order in literature.
Politics and literature-- Great Britain-- History.