Includes bibliographical references (pages 197-221) and index.
CONTENTS NOTE
Text of Note
ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.
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SUMMARY OR ABSTRACT
Text of Note
This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.
OTHER EDITION IN ANOTHER MEDIUM
Title
Ezra Pound, Wyndham Lewis, and radical modernism.
International Standard Book Number
0195076931
PERSONAL NAME USED AS SUBJECT
Lewis, Wyndham,1882-1957-- Criticism and interpretation.
Lewis, Wyndham,1882-1957.
Pound, Ezra,1885-1972-- Criticism and interpretation.