Includes bibliographical references (pages 189-195) and index.
CONTENTS NOTE
Text of Note
Without obligation : exotic appropriation in Loti and Gauguin -- Exemplary inclusions, indecent exclusons in Proust's Recherche -- Claimimg cultural dissidence : the case of Montherlant's La Rose de sable -- Camus and the resistance to history -- Peripheries, public and private : Genet and dispossession.
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SUMMARY OR ABSTRACT
Text of Note
"Writing Marginality in Modern French Literature explores how cultural centres require the peripheral, the outlawed, and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet.
Text of Note
Crucially Genet, typecast as France's moral pariah, charts Palestinian statelessness in his last work, Un captif amoureux (1986), and reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference."--Jacket.
OTHER EDITION IN ANOTHER MEDIUM
Title
Writing marginality in modern French literature.
International Standard Book Number
0521642965
TOPICAL NAME USED AS SUBJECT
French literature-- 19th century-- History and criticism.
French literature-- 20th century-- History and criticism.
Literature and society-- France-- History-- 19th century.
Literature and society-- France-- History-- 20th century.
Marginality, Social, in literature.
Littérature et société-- France-- Histoire-- 19e siècle.
Littérature et société-- France-- Histoire-- 20e siècle.
Littérature française-- 19e siècle-- Histoire et critique.
Littérature française-- 20e siècle-- Histoire et critique.