Includes bibliographical references (pages 207-235) and index.
CONTENTS NOTE
Text of Note
Marinett, Boccioni and electroacoustic poetry: futurism and after -- The limits of intertextuality: Barthes, Burroughs, Gysin, Culler -- Postmodernity, métaphore marquée and the myth of the trans-avant-garde -- Baudrillard's Amérique and the "abyss of modernity" -- Jameson's complaint: video art and the intertextual "time-wall" -- Postmodernism and the multimedia sensibility: Heiner Müller's Hamletmachine and the art of Robert Wilson -- Baudrillard, Modernism, Postmodernism -- "Apocalyptic"? "negative"? "Pessimistic"?: Baudrillard, Virilio, and technoculture -- Baudrillard, Giorno, Viola and the technologies of radical illusion.