"Chapter 5 first appeared in a slightly different and shorter form as 'The Negative Reinvention of Cinema: Late Hollywood in the Early Digital Age, ' Convergence: The Journal of Research into New Media Technologies 5, no. 2 (1999): 24-50, guest edited by Ross Harley. Reprinted with permission"--Title page verso.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Filmography: pages 285-288.
Text of Note
Includes bibliographical references (pages 255-284) and index.
CONTENTS NOTE
Text of Note
Introduction: The Perpetual Reinvention of Film; 1. Rubes, Camera Fiends, Filmmakers, and Other Amateurs: The Intermedia Imagination of Early Films; 2. A Cinema without Wires; 3. Eating the Other Medium: Sound Film in the Age of Broadcasting; 4. The Glass Web: Unraveling the Videophobia of Postwar Hollywood Cinema; 5. The Negative Reinvention of Cinema: Late Hollywood in the Early Digital Age; Acknowledgments; Notes; Filmography; Index.
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SUMMARY OR ABSTRACT
Text of Note
Paul Young looks at the American cinema's imaginative constructions of three electronic mediaradio, television, and the Internetat the times when these media seemed to hold limitless possibilities. The Cinema Dreams Its Rivals demonstrates that Hollywood is marked by the advent of each new medium, but conversely, the identities of the media are themselves changed as Hollywood turns them to its own purposes.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/cttbhctc
OTHER EDITION IN ANOTHER MEDIUM
Title
Cinema dreams its rivals.
International Standard Book Number
9780816635986
TOPICAL NAME USED AS SUBJECT
Fantasy films-- History and criticism.
Mass media in motion pictures.
Fantasy films.
Mass media in motion pictures.
PERFORMING ARTS-- Film & Video-- History & Criticism.