List of Illustrations; Acknowledgments; A Note On Terminology; Abbreviations; Introduction: From Alchemical Gold to Synthetic Humans: The Problem of the Artificial and the Natural; Chapter One: Imitating, Challenging, and Perfecting Nature: The Arts and Alchemy in European Antiquity; Chapter Two: Alchemy and the Art-Nature Debate; Chapter Three: The Visual Arts and Alchemy; Chapter Four: Artificial Life and the Homunculus; Chapter Five: The Art-Nature Debate and the Issue of Experiment; Afterword: Further Ramifications of the Art-Nature Debate; References; Index.
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SUMMARY OR ABSTRACT
Text of Note
In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between.