Includes bibliographical references (pages 224-233) and indexes.
CONTENTS NOTE
Text of Note
Machine derived contents note: Note on references -- Preface -- 1. The smell of lamps and orange peel -- 2. 'A devil of a trade' -- 3. The profit-sharing revolution -- 4. Piracy and the defence of dramatic property -- 5. Booksellers and dramatic publishing -- 6. From wings to centre stage -- 7. The new professionals -- Appendices -- Notes -- Bibliography -- Indexes.
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SUMMARY OR ABSTRACT
Text of Note
This is the first book to examine the working world of the playwright in nineteenth-century Britain. It was often a risky and financially uncertain profession, yet the magic of the theatre attracted authors from widely different backgrounds--journalists, lawyers, churchmen, civil servants. printers, and actors, as well as prominent poets and novelists. In a fascinating account of the frustrations and the rewards of dramatic authorship, Stephens uncovers fresh information on the playwright's earnings, relationships with actors, managers, publishers, and audience, and offers a new perspective on his growing status as a professional. Further chapters focus on the struggle for copyright reform and the complexities of dramatic publishing. A large number of major and minor authors are discussed, among them Planche, Fitzball, Boucicault, Pinero, Grundy, Gilbert, Tennyson, Jones and Shaw. The book will be of interest to students and scholars of British theatre history, nineteenth-century literature and social history.
TOPICAL NAME USED AS SUBJECT
Drama-- Publishing-- Great Britain-- History-- 19th century.
English drama-- 19th century-- History and criticism.
Theater and society-- Great Britain.
Theater-- Great Britain-- History-- 19th century.
Théâtre (Genre littéraire)-- Éditeurs-- Grande-Bretagne-- Histoire-- 19e siècle.
Théâtre anglais-- 19e siècle-- Histoire et critique.
Théâtre et société-- Grande-Bretagne.
Théâtre-- Grande-Bretagne-- Histoire-- 19e siècle.