The psychology of perspective and Renaissance art /
General Material Designation
[Book]
First Statement of Responsibility
Michael Kubovy.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
1986.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiv, 192 pages :
Other Physical Details
illustrations ;
Dimensions
27 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 174-181) and index.
CONTENTS NOTE
Text of Note
Introduction : the importance of perspective and the metaphor of the arrow in the eye -- The elements of perspective -- Interlude : Brunelleschi's peepshow and the invention of perspective -- The effectiveness of Brunelleschi's peepshow -- The robustness of perspective -- Illusion, delusion, collusioin, and perceptual paradox -- Perceiving the window in order to see the world -- The bound of perspective : marginal distortions -- Why was the Brunellschi peephole abandoned? -- The psychology of egocenters -- The invention of perspective and the evolution of art
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SUMMARY OR ABSTRACT
Text of Note
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space. -- Publisher description.