Imperialism, reform, and the making of Englishness in Jane Eyre /
General Material Designation
[Book]
First Statement of Responsibility
Sue Thomas.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
2008.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xi, 170 pages ;
Dimensions
23 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 130-164) and index.
CONTENTS NOTE
Text of Note
Christianity and the state of slavery -- The tropical extravagance of Bertha Mason -- Monstrous martyrdom and the 'overshadowing tree' of philanthropy -- The ferment of restlessness -- Playing Jane Eyre at the Victoria Theatre in 1848 -- An 1859 Caribbean perspective on Jane Eyre.
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SUMMARY OR ABSTRACT
Text of Note
"In a famous passage from Charlotte Bronte's novel Jane Eyre, Jane Eyre identifies herself with 'millions' in 'ferment', 'in silent revolt against their lot'. Elsewhere, she compares herself to a missionary preaching liberty to the enslaved, helping them secure their freedom. Her imagination is shaped by historical events, and yet Bronte is usually thought to be careless about dates and historical markers in Jane Eyre. In this groundbreaking study, Sue Thomas convincingly dates the action and setting of the novel, and analyses the worldly consciousness of Bronte's characters and of Bronte herself. She addresses the articulation of questions of imperial history and relations, reform, racialization, and the making of Englishness in the novel. Her examination of an 1848 stage adaptation of Jane Eyre for a predominantly working-class audience and of an 1859 Caribbean reworking of the novel illuminate the limits of Bronte's social imaginary."--Jacket.