German music criticism in the late eighteenth century :
General Material Designation
[Book]
Other Title Information
aesthetic issues in instrumental music /
First Statement of Responsibility
Mary Sue Morrow.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
1997.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiii, 253 pages :
Other Physical Details
music ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 158-245) and index.
CONTENTS NOTE
Text of Note
Acknowledgements -- Author's notes -- Introduction: terms of discource -- What does instrumental music mean? -- Answering with a unified voice -- Answering with a German voice -- Answering with aesthetic criteria -- The importance of being correct -- The reign of genius -- A call to order -- Epilogue: segue to the nineteenth century -- Notes -- Bibliography -- Index.
0
SUMMARY OR ABSTRACT
Text of Note
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
TOPICAL NAME USED AS SUBJECT
Instrumental music-- Germany-- 18th century-- History and criticism.
Music-- Germany-- 18th century-- Philosophy and aesthetics.
Musical criticism-- Germany.
Nationalism in music.
Critique musicale-- Allemagne.
Musique-- Allemagne-- 18e siècle-- Philosophie et esthétique.
Musique instrumentale-- Allemagne-- 18e siècle-- Histoire et critique.
Nationalisme dans la musique.
Instrumental music-- Germany-- 18th century-- History and criticism.