Love, desire and identity in the theatre of Federico García Lorca /
General Material Designation
[Book]
First Statement of Responsibility
Paul McDermid.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Rochester, NY :
Name of Publisher, Distributor, etc.
Tamesis,
Date of Publication, Distribution, etc.
2007.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (217 pages).
SERIES
Series Title
Colección Támesis. Serie A, Monografías ;
Volume Designation
241
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 205-211) index.
CONTENTS NOTE
Text of Note
Jesus of love : the profane passion and holy spirit of the young poet's Cristo. The dialectic of flesh and spirit ; The flesh and its limits ; Más allá : the realm of the spirit ; The inversion of gender ; A young man's vision -- Mariana Pineda : iconic martyr to Love. Which Mariana? ; The play : its subject, structure and plot ; From 'estampa' to performance ; From the material to the ethereal ; The spiritual realm of dream and death ; Mariana the martyr : the sacrifice of the body ; 'La Mariana amante' : icon of Love -- The sacrifice of identity in Amor de Don Perlimplín con Belisa en su jardín. Perlimplín : at the heart of Garcia Lorca's theatre ; The play's dualisms : plot and themes ; Don Perlimplín : the 'monigote' humanised ; 'La blanca Belisa' : from empty vessel to eternal Love ; Subversions of identity ; Ritual and the transforming final sacrifice ; Towards a production of new subjectivity -- El público : struggling with identity. The 'impossible' drama : homosexuality, structure and style ; The key dialectic of surface and depth ; Masculinity in question ; Bodily boundaries ; Queer acts : identity and existence as performance -- ¡Hijo de mi alma! : gender inversion and the metaphysical reproduction of the Self in Yerma. A woman frustrated? : theme, plot and structure ; A masculinised Yerma and an effeminate Juan ; The theory of gender inversion ; A desire for the Soul and the reproduction of Self -- Beyond the outer walls : transvestite masquerade and transcendent escape in La casa de Bernarda Alba. Subversive acts ; The photo documentary : drama in black and white ; From realism to drag performance ; On symbols and on the signs of Camp ; The performance of gender ; Beyond the walls of the house of Alba : Adela's challenge to Bernarda.
0
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
Text of Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt8vss00
OTHER EDITION IN ANOTHER MEDIUM
Title
Love, desire and identity in the theatre of Federico García Lorca.