Includes bibliographical references (pages 211-223) and index.
CONTENTS NOTE
Text of Note
The Jewess Pallas Athena -- Breaks in tradition -- "Egyptian style" -- The myth of the salon -- "Cries into the void" -- The modern jewess -- Encounters at the margin -- Odd beings -- In search of history -- Kaddish for R.L. -- Baggage of debris -- Thinking in a combat alliance -- "Complete unreservedness" -- Gestures and poems -- Goddess without a name -- Silence--conversation.
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SUMMARY OR ABSTRACT
Text of Note
""The Jewess Pallas Athena"--A line from a poem by Paul Celan. It is a provocative phrase, cutting across cultures and traditions. But it poses questions: How to reconstruct a culture that has been destroyed? How to conceive of history after the catastrophes of the twentieth century?"
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"This book begins in the mid-eighteenth century with the first Jewish women to raise their voices in German. It ends two hundred years later, with another group of Jewish women looking back at a country from which they had been expelled and to which they would never want to return. Among the many prominent female intellectuals and literary figures Barbara Hahn discusses are Hannah Arendt, Gertrud Kantorowicz, Rosa Luxemburg, Else Lasker-Schuler, Margarete Susman, and Rahel Levin Varnhagen. In examining their writing, she reflects upon the question of how German culture was constructed - with its inherent patterns of exclusion."--Jacket.