Includes bibliographical references (pages 257-259).
CONTENTS NOTE
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The inception: Stephen Rebello, From Alfred Hitchcock and the making of Psycho -- Early reception: Bosley Crowther, Hitchcock's 'Psycho' bows at 2 Houses ; Psycho entry for "ten best films" -- The building of a reputation: Jean Douchet, Hitch and his audience ; Robin Wood, Psycho ; Raymond Durgnat, Psycho -- Psycho's music: Royal S. Brown, Herrmann, Hitchcock, and the music of the irrational -- Psycho and the gaze: George Toles, "If thine eye offend thee ... ": Psycho and the art of infection -- Psychoanalytical approaches: Robert Samuels, Epilogue: Psycho and the horror of the bi-textual unconscious -- Gender, reception, and the postmodern: Linda Williams, Discipline and fun: Psycho and postmodern cinema -- The man who knew more than too much: Robert Kolker, The form, structure, and influence of Psycho.
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SUMMARY OR ABSTRACT
Text of Note
Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
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Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.