Prologue: Freud's night out -- Three foundational documents and their indelibility -- Majoritarian and racial tyranny: Tocquevill and Beaumont -- Popular forms : Cooper and the western ; Poe and the detective story ; Fanny Fern and the celebrity novel -- The nineteenth-century canon: hidden in plain sight : The scarlet letter ; Melville's Moby-dick ; Thoreau's Walden ; James's The American -- Freud and film redux -- Twentieth-century classics and new technologies of legibility : Wharton's Summer ; Fitzgerald's The great Gatsby as a "modernist" western ; Hemingway's The sun also rises -- Race/erasure: Douglass to Roth -- Equivocal epilogue: total visibility in utopia and dystopia.
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SUMMARY OR ABSTRACT
Text of Note
The idea of a common American culture is in retreat; arguments emphasizing difference have discredited the grand synthetic studies that marginalized groups and perspectives at odds with the master narrative. This work is an attempt to revitalize an interpretive overview.
OTHER EDITION IN ANOTHER MEDIUM
Title
Surface and depth.
International Standard Book Number
0195157761
TOPICAL NAME USED AS SUBJECT
American fiction-- History and criticism.
American prose literature-- History and criticism.
Literature and society-- United States.
National characteristics, American, in literature.
Social problems in literature.
American fiction.
American prose literature.
Civilization.
LITERARY CRITICISM-- American-- General.
Literature and society.
Literature.
National characteristics, American, in literature.