interpreting metaphorical language from Plato to the present /
First Statement of Responsibility
Simon Brittan.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Charlottesville :
Name of Publisher, Distributor, etc.
University of Virginia Press,
Date of Publication, Distribution, etc.
2003.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiii, 226 pages ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 219-221) and index.
CONTENTS NOTE
Text of Note
The western tradition -- Religion, philosophy, and interpretation in the Middle Ages -- Dante Alighieri, hermetism, and Renaissance Italy -- England in the late Middle Ages and the Renaissance -- Philosophy and representation in the seventeenth century -- Toward romanticism -- Symbol and allegory.
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SUMMARY OR ABSTRACT
Text of Note
Dealing with poetry is frequently problematic for the university teacher and student: although undergraduates are usually responsive to discussions about drama and prose, poetry often silences the classroom. Unless a poem provides references easily applicable to their own lives, many students feel they cant relate to the piece and are stymied. In particular, allegorical poetry produces tensions among the desire to find the meanings of the poets symbolism, the fear of voicing a 2wrong3 interpretation, and a natural objection to perceived restrictions on interpretive freedom. Poetry, Symbol, and Allegory eases that dilemma by providing a historical overview of theories of interpretation as they apply to symbol and allegory in poetry, thereby reclaiming valuable and useful methods of analyzing poems. Beginning with Plato and Aristotle, Simon Brittan moves from classical theory to the lesser-known medieval exegetical theories of such notables as Augustine, Aquinas, and Origen; addresses theory pertaining to Renaissance Italy and Dante, English theory of the Middle Ages, the sixteenth and seventeenth centuries, and the Romantic period; and concludes by weighing the poetry of T.E. Hulme, T.S. Eliot, and Ezra Pound on the larger historical scale of literary theory. By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which todays student can better understand figurative language in poetry. - Publisher.
PERSONAL NAME USED AS SUBJECT
Dante Alighieri,1265-1321-- Aesthetics.
Dante Alighieri,1265-1321-- Esthétique.
Dante Alighieri,1265-1321.
TOPICAL NAME USED AS SUBJECT
Allegory.
American poetry-- 20th century-- History and criticism-- Theory, etc.
English poetry-- History and criticism-- Theory, etc.
Meaning (Philosophy) in literature.
Metaphor.
Symbolism in literature.
Allégorie.
Métaphore.
Poésie américaine-- 20e siècle-- Histoire et critique-- Théorie, etc.
Poésie anglaise-- Histoire et critique-- Théorie, etc.
Signification (Philosophie) dans la littérature.
Symbolisme dans la littérature.
Aesthetics.
Allegorie
Allegorieën.
Allegory.
Antike
Aufklärung
Gedichten.
Literaturtheorie
Meaning (Philosophy) in literature.
Metapher
Metaphor.
Métaphore.
Mittelalter
Poésie américaine-- Histoire et critique-- Théorie, etc.
Poésie anglaise-- Histoire et critique-- Théorie, etc.
Poetik
Renaissance
Signes et symboles-- Dans la littérature.
Signification (philosophie)-- Dans la littérature.