Includes bibliographical references (pages 180-181).
CONTENTS NOTE
Text of Note
Introduction. How to get the most out of this book. Definitions: What is animation?; Animation: A Process Art; Animation vocabulary; Metamorphosis; Condensation; Anthropomorphism; Fabrication; Penetration; Symbolic Association; Sound illustration. Initial approaches: Initial ideas and starting points; Key themes; Core plots. Genres in animation: The animation matrix; Considering genre; Formal; Deconstructive; Political; Abstract; Re-narration; Paradigmatic; Primal. Story design: Script development and analysis: Charlie and Lola; Storyboarding -- Narrative as problem solving: William's Wish Wellingtons. Writing styles: Writing emotionally: Shiri Anvi; Writing conceptually: Johnny Hardstaff; Writing character: Adam Elliot; Writing comedy: Van Partible; Writing Comedy: Kresten Anderson; Writing with sound: Uzi Geffenblad. Writing experimentally: Joan Ashworth. Animation in alternative contexts: Scriptwriting for the theatre; Scriptwriting for advertising; Scriptwriting for a planetarium. Glossary. Scriptwriters' advice. Conclusion. References and bibliography. Filmography and webography. Acknowledgements and picture credits.