edited by Jan Reid and W.K. Stratton ; foreword by Dave Hickey, remembrance by Robert Draper.
EDITION STATEMENT
Edition Statement
1st ed.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Austin :
Name of Publisher, Distributor, etc.
University of Texas Press,
Date of Publication, Distribution, etc.
2005.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiv, 277 pages :
Other Physical Details
illustrations ;
Dimensions
24 cm
CONTENTS NOTE
Text of Note
Star-crossed : a biographical sketch of Grover Lewis / by Jan Reid and W.K. Stratton -- [Part I:] Movies. Splendor in the short grass : the making of The last picture show ; Sam Peckinpah in Mexico : overlearning with El Jefe ; Up in Fat City : on the set with Keach and Huston ; One step over the fucked-up line with Robert Mitchum ; Who's the bull goose loony here? ; Excerpt from The code of the west (unfinished novel) ; Cowboy movie in black and white (poem) ; Old movies in my mind -- [Part II:] Music. Dirge for a bird ; The hard traveling of Woody Guthrie ; Looking for lightnin' ; Hitting the note with the Allman Brothers Band ; Stones concert -- [Part III:] Loss. The wreckage children (poem) ; Goodbye if you call that gone ; The legacy of Huckleberry Finn ; Cracker Eden : Oak Cliff--a report, a memoir ; Hillbilly song (poem) ; A cracker's farewell : a remembrance / by Robert Draper ; Thanks for the use of the hall (poem).
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SUMMARY OR ABSTRACT
Text of Note
"Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill."
Text of Note
"To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W.K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life - movies, music, and loss.
Text of Note
The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies."--Jacket.