Includes bibliographical references (pages 215-239) and index.
CONTENTS NOTE
Text of Note
Introduction -- Why the league? -- What is Jewish music? the League and the dilemmas of musical identity -- Performing a "Jewish repertoire" : Weill, Schoenberg, and Bloch -- "German music," lieder, and the Austrian Franz Schubert -- Handel, Verdi, and national pride -- Beyond ethnic loyalties -- The legacy of the League.
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SUMMARY OR ABSTRACT
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"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues."--Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence."--Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid."--Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
Text of Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt1d3ktzr
OTHER EDITION IN ANOTHER MEDIUM
Title
Jewish orchestra in Nazi Germany.
International Standard Book Number
9780472117109
CORPORATE BODY NAME USED AS SUBJECT
Jüdischer Kulturbund.
Jüdischer Kulturbund.
TOPICAL NAME USED AS SUBJECT
Music-- Political aspects-- Germany-- History-- 20th century.