Introduction: spectacle, myth, sacrifice : Racinian tragedy and the origins of modernity -- La Thébaïde : politics and monstrous origins -- Andromaque : myth and melancholy -- Britannicus : power, perversion, and paranoia -- Bérénice, Bajazet, Mithridate : oriental Oedipus -- Iphigénie : sacrifice and sovereignty -- Phèdre (et Hippolyte) : taboo, transgression, and the birth of democracy? -- Esther, Athalie : religion, and revolution in Racine's heavenly city.
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SUMMARY OR ABSTRACT
Text of Note
A study of all of the major tragedies of Jean Racine, France's preeminent dramatist--and, according to many, its greatest and most representative author--Mitchell Greenberg's work offers an exploration of Racinian tragedy to explain the enigma of the plays' continued fascination. Greenberg shows how Racine uses myth, in particular the legend of Oedipus, to achieve his emotional power. In the seventeenth-century tragedies of Racine, almost all references to physical activity were banned from the stage. Yet contemporary accounts of the performances describe vivid emotional reactions of the audience.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/cttbmtr0
OTHER EDITION IN ANOTHER MEDIUM
Title
Racine.
International Standard Book Number
9780816660834
PERSONAL NAME USED AS SUBJECT
Racine, Jean,1639-1699-- Criticism and interpretation.