African American literature and the classicist tradition :
General Material Designation
[Book]
Other Title Information
Black women writers from Wheatley to Morrison /
First Statement of Responsibility
Tracey L. Walters.
EDITION STATEMENT
Edition Statement
1st ed.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Palgrave MacMillan,
Date of Publication, Distribution, etc.
2007.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
197 pages ;
Dimensions
22 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 183-194) and index.
CONTENTS NOTE
Text of Note
Introduction: writing the classical Black: the poetic and political function of African American women's classical revision -- Historical overview of ancient and contemporary representation of classical mythology -- Classical discourse as political agency: African American revisionist mythmaking by Phillis Wheatley, Henrietta Cordelia Ray, and Pauline Hopkins -- Gwendolyn Brooks' racialization of the Persephone and Demeter myth in "the Anniad" and "in The Mecca" -- The destruction and reconstruction of classical and cultural myth in Toni Morrison's Song of Solomon, Beloved and The Bluest Eye -- A universal approach to classical mythology: Rita Dove's The Darker Face of the Earth and Mother Love.
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SUMMARY OR ABSTRACT
Text of Note
"This is a study exploring the relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can "speak the unspeakable" and empower their subjects as well as themselves."--Jacket.
OTHER EDITION IN ANOTHER MEDIUM
Title
African American literature and the classicist tradition.
PARALLEL TITLE PROPER
Parallel Title
Black women writers from Wheatley to Morrison
PERSONAL NAME USED AS SUBJECT
Schwarze, ...
CORPORATE BODY NAME USED AS SUBJECT
University of South Alabama
TOPICAL NAME USED AS SUBJECT
American literature-- African American authors-- Classical influences.
American literature-- Women authors-- History and criticism.