Based on the author's thesis (doctoral)--Oxford University, 1992, originally presented under the title: Pictures as perceptual symbols.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
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Includes bibliographical references (pages 228-234) and index.
CONTENTS NOTE
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Introduction -- Part I. Pictures as perceptual. 1. Representation and Resemblance -- 2. Depiction and Vision -- Part II. Pictures as symbols. 3. Goodman's Symbol Theory -- 4. Symbols and Substitutes -- 5. Pictorial Reference ---Part III. Aspect recognition. 6. Pictorial Content -- 7. Pictorial Recognition -- 8. Pictorial Meaning -- 9. Pictorial Experience -- Part IV. Applications. 10. Fictive Pictures -- 11. Picturing Pictures.
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SUMMARY OR ABSTRACT
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There are not one but many ways to picture the worldAustralian 'x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over the time. He develops a scheme for categorizing the different ways pictures represent - the different kinds of meaning they have - and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.