authority and representation on the early modern English stage /
First Statement of Responsibility
edited by Bryan Reynolds & William N. West.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
2005.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xii, 230 pages :
Other Physical Details
illustrations ;
Dimensions
23 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Shakespearean emergences: back from materialisms to transversalisms and beyond / Bryan Reynolds & William N. West -- pt. I. The form and pressure of the time: popular and unpopular traditions -- Strike all that look upon with marvel: theatrical and theological wonder in The Winter's tale / Huston Diehl -- Performance and urban space in Shakespeare's Rome, or S.P.Q.L. / D.J. Hopkins -- Shakespeare's Little boys: theatrical apprenticeship and the construction of childhood / Catherine Belsey -- pt. II. What's the matter? Revisions and reversions in pen and voice -- Rematerializing Shakespeare's intertheatricality: the occidental/oriental halimpsest / Jonathan Gil Harris -- The politics of Shakespeare's prose / Douglas Bruster -- Mercutio's bad language / William N. West -- Nanti everything / Terence Hawkes -- Authority and the early modern theatre: representing Robert Weimann / John Drakakis -- pt. III. Creatures sitting at a play: the authority and representation of audiences -- Homo Clausus at the theatre / David Hillman -- Figuring the consumer for early modern drama / Kathleen McLuskie -- The delusion of critique: subjunctive space, transversality, and the conceit of deceit in Hamlet / Anthony Kubiak & Bryan Reynolds.
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SUMMARY OR ABSTRACT
Text of Note
This collection of work by critics on Shakespeare studies does not offer a single theoretical stance on any of the various forms of critical materialism, but rather demonstrates that the materiality of Shakespeare is multidimensional and consists of the imagination, the intended, and the desired.