edited by Bruce Bennett, Marc Furstenau and Adrian Mackenzie.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
2008.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xi, 265 pages ;
Dimensions
23 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 241-253) and index.
CONTENTS NOTE
Text of Note
I. Format -- Perilous Gauge: Canadian Independent Film Exhibition and the 16mm Mobile Menace / Peter Lester -- BMW Films and the Star Wars Kid: 'Early Web Cinema' and Technology / Andrew Clay -- On Some Limits to Film Theory (Mainly from Science) / James Elkins -- II. Norms -- Socially Combustible: Panicky People, Flammable Films and the Dangerous New Technology of the Nickelodeon / Paul S. Moore -- Cinema and Its Doubles: Kittler v. Deleuze / Jan Harris -- Genomic Science in Contemporary Film: Institutions, Individuals and Genre / Kate O'Riordan -- III. Scanning -- Cinema as Technology: Encounters with an Interface / Aylish Wood -- Demonlover: Interval, Affect and the Aesthetics of Digital Dislocation / Maja Manojlovic -- 'Into the decor': Attention and Distraction, Foreground and Background / Christopher Rodrigues -- Children, Robots, Cinephilia and Technophobia / Bruce Bennett -- IV. Movement -- Lola and the Vampire: Technologies of Time and Movement in German Cinema / Michelle Langford -- Inbetweening: Animation, Deleuze, Film Theory / Bill Schaffer -- Affective Troubles and Cinema / Marie-Luise Angerer -- Afterword -- Digital Cinema and the Apparatus: Archaeologies, Epistemologies, Ontologies / Thomas Elsaesser.
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SUMMARY OR ABSTRACT
Text of Note
These essays covers the cinema's relationships with technology.