Includes bibliographical references (pages 306-314) and index.
CONTENTS NOTE
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Introduction: Defining the 'national' of a country's cinematographic production -- 1. A brief ecohistory of France's cinema industry 1895-1992 -- 2. Magical moments of musical silence: French cinema's classical age 1895-1929 -- 3. From clarity to obscurity: French cinema's age of modernism 1930-58 -- 4. From ideology to narcissism: French cinema's age of the postmodern 1958-91.
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SUMMARY OR ABSTRACT
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This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it.Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.