The power of the passive self in English literature, 1640-1770 /
General Material Designation
[Book]
First Statement of Responsibility
Scott Paul Gordon.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
2002.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xi, 279 pages)
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 249-272) and index.
CONTENTS NOTE
Text of Note
Introduction. "Spring and motive of our actions": disinterest and self-interest -- "Acted by another": agency and action in early modern England -- "The belief of the people": Thomas Hobbes and the battle over the heroic -- "For want of some heedfull eye": Mr. Spectator and the power of spectacle -- "For its own sake": virtue and agency in early eighteenth-century England -- "Not perform'd at all": managing Garrick's body in eighteenth-century England -- "I wrote my heart": Richardson's Clarissa and the tactics of sentiment -- Epilogue: "A sign of so noble a passion": the politics of disinterested selves.
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SUMMARY OR ABSTRACT
Text of Note
"Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing.
Text of Note
This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external "prompter." Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the nonconformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa."--Jacket.
OTHER EDITION IN ANOTHER MEDIUM
Title
Power of the passive self in English literature, 1640-1770.
International Standard Book Number
0521810051
TOPICAL NAME USED AS SUBJECT
Christianity and literature-- Great Britain-- History-- 17th century.
Christianity and literature-- Great Britain-- History-- 18th century.
English literature-- 18th century-- History and criticism.
English literature-- Early modern, 1500-1700-- History and criticism.
Ethics in literature.
Passivity (Psychology) in literature.
Self in literature.
Christianisme et littérature-- Grande-Bretagne-- Histoire-- 17e siècle.
Christianisme et littérature-- Grande-Bretagne-- Histoire-- 18e siècle.
Littérature anglaise-- 17e siècle-- Histoire et critique.
Littérature anglaise-- 18e siècle-- Histoire et critique.
Moi (Psychologie) dans la littérature.
Morale dans la littérature.
Passivité (Psychologie) dans la littérature.
Christelijke ethiek.
Christianisme et litterature-- Grande-Bretagne-- Histoire-- 17e siecle.
Christianisme et litterature-- Grande-Bretagne-- Histoire-- 18e siecle.
Christianity and literature-- Great Britain-- History-- 17th century.
Christianity and literature-- Great Britain-- History-- 18th century.
Christianity and literature.
Engels.
English literature-- 18th century-- History and criticism.
English literature-- Early modern, 1500-1700-- History and criticism.