Includes bibliographical references (pages 259-282) and index.
CONTENTS NOTE
Text of Note
Note on citations and abbreviations -- Selected dynasties and periods -- Epigraphs -- The ghost's body -- The ghost's voice -- Ghosts and historical time -- Ghosts and theatricality -- Appendix: Selected list of major translated book and film titles -- Glossary.
0
SUMMARY OR ABSTRACT
Text of Note
The "phantom heroine"--In particular the fantasy of her resurrection through sex with a living man--is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin's elegantly written and meticulously researched new book. Zeitlin's study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers--that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance.
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
Text of Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt62tr6f
OTHER EDITION IN ANOTHER MEDIUM
Title
Phantom heroine.
International Standard Book Number
0824830911
PARALLEL TITLE PROPER
Parallel Title
Ghosts and gender in seventeenth-century Chinese literature
TOPICAL NAME USED AS SUBJECT
Chinese literature-- Ming dynasty, 1368-1644-- History and criticism.
Chinese literature-- Qing dynasty, 1644-1912-- History and criticism.