Live performance presents unique ontological challenges. This paper will attempt to identify and name the elements of live performance, to describe the relationships between those elements, and to account for the variation between them. The primary subject for this ontology will be theatrical performance, but we will attempt to apply the same principles to other kinds of performance, such as music performance, to test whether the conclusions hold.
SET
Date of Publication
2013
Title
InterActions: UCLA Journal of Education and Information Studies