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عنوان
At the Intersection of American Sign Language and the Performer-Percussionist:

پدید آورنده
Clarino, Christopher Richard

موضوع

رده

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

NATIONAL BIBLIOGRAPHY NUMBER

Number
TL8g53n2tg

LANGUAGE OF THE ITEM

.Language of Text, Soundtrack etc
انگلیسی

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
At the Intersection of American Sign Language and the Performer-Percussionist:
General Material Designation
[Thesis]
First Statement of Responsibility
Clarino, Christopher Richard
Title Proper by Another Author
A Hybrid Practice
Subsequent Statement of Responsibility
Schick, Steven

.PUBLICATION, DISTRIBUTION, ETC

Name of Publisher, Distributor, etc.
UC San Diego
Date of Publication, Distribution, etc.
2019

DISSERTATION (THESIS) NOTE

Body granting the degree
UC San Diego
Text preceding or following the note
2019

SUMMARY OR ABSTRACT

Text of Note
ABSTRACT OF THE DISSERTATIONAt the Intersection of American Sign Languageand the Performer-Percussionist: A Hybrid PracticebyChristopher Richard ClarinoDoctor of Musical Arts in Contemporary Music PerformanceUniversity of California San Diego, 2019Professor Steven Schick, chairThis dissertation investigates the shared spaces between American Sign Language (ASL), percussion and performance art and addresses the following questions: Does my work successfully merge these disciplines into a singular practice? In this hybridized practice, is corporeality fundamentally relatable? For example, might a layperson relate to the playing of a drum more deeply on an emotional and physical level than the playing of a viola harmonic? Similarly, in ASL; are inherent qualities of the language - facial expression, non-manual markers, personification, and explicitly visual referents - also relatable to the layperson in the same way? Do these build a bridge to the middle ground of my practice? These topics and questions will be addressed in the context of the following works: Carolyn Chen's Threads (2012), Lydia Winsor Brindamour's early morning (dew, spiderweb) (2016), Tiange Zhou's Me/Monologue (2018), Larry Polansky's VEDITZ (2018), Yiheng Yvonne Wu's Your Hat (2018), and my adaptation of Franz Schubert's Erlkönig (1821). Through musical analysis and deconstruction of the works mentioned, I have attempted to answer the technical and cultural questions that have risen through preparation and performance.

PERSONAL NAME - PRIMARY RESPONSIBILITY

Clarino, Christopher Richard

PERSONAL NAME - SECONDARY RESPONSIBILITY

Schick, Steven

CORPORATE BODY NAME - SECONDARY RESPONSIBILITY

UC San Diego

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

p

[Thesis]
276903

a
Y

Proposal/Bug Report

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