Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991
Subsequent Statement of Responsibility
Wagner, Anne M.
.PUBLICATION, DISTRIBUTION, ETC
Date of Publication, Distribution, etc.
2013
DISSERTATION (THESIS) NOTE
Body granting the degree
Wagner, Anne M.
Text preceding or following the note
2013
SUMMARY OR ABSTRACT
Text of Note
This dissertation examines the work of the San Francisco-based artist Jess (1923-2004). Jess's multimedia and cross-disciplinary practice, which takes the form of collage, assemblage, drawing, painting, film, illustration, and poetry, offers a perspective from which to consider a matrix of issues integral to the American postwar period. These include domestic space and labor; alternative family structures; myth, rationalism, and excess; and the salvage and use of images in the atomic age. The dissertation has a second protagonist, Robert Duncan (1919-1988), preeminent American poet and Jess's partner and primary interlocutor for nearly forty years. Duncan and Jess built a household and a world together that transgressed boundaries between poetry and painting, past and present, and acknowledged the limits and possibilities of living and making daily.