عنوان

Post-Soviet Tuvan Throat-Singing (Xöömei) and the Circulation of Nomadic Sensibility

Number

TL7dv610gq

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Post-Soviet Tuvan Throat-Singing (Xöömei) and the Circulation of Nomadic Sensibility

General Material Designation

[Thesis]

First Statement of Responsibility

Beahrs, Robert Oliver

Subsequent Statement of Responsibility

Brinner, Benjamin

Date of Publication, Distribution, etc.

2014

Body granting the degree

Brinner, Benjamin

Text preceding or following the note

2014

Text of Note

Guttural singing practices in the Sayan-Altai region of south-central Siberia have been historically framed as possessing "nomadic" qualities linked with pastoral population groups indigenous to the region. As these singing practices were incorporated into a genre of national folk music for Tannu Tuva (1921-1944) and the Tuvan Autonomous Soviet Socialist Republic (1961-1991)--and then later reformulated as the centerpiece of an exotic genre of world music-- xöömei throat-singing was shaped by contradictory attitudes towards its purportedly nomadic characteristics, which have been essentialized at various times, for multiple reasons, by local and global actors and interest groups. In the post-Soviet era, xöömeizhi (master throat-singers) from the Tuva Republic (now part of Russia) express a revitalized nomadic sensibility through xöömei singing practices, which has come to operate both as an ideology and a disposition for Tuvan traditional music. Drawing on a selective use of history, cultural memory, and natural environments, post-Soviet xöömeizhi construct a nomadic sensibility that is embodied in music and sound-making activities, foregrounded in intercultural exchanges, and circulated as a social disposition.

Mata, Willow Maria Sussex

Beahrs, Robert Oliver

UC Berkeley

Electronic name

p

[Thesis]

276903

a

Y