Includes bibliographical references (pages 383-385) and index.
CONTENTS NOTE
Text of Note
1. Childhood and early years -- 2. The making of a composer I -- 3. The making of a composer II -- 4. The early songs I -- 5. Salammbô -- 6. The early songs II -- 7. St. John's night on the bare mountain : more songs -- 8. The Marriage : towards Boris -- 9. Boris Gudonov : composition and production -- 10. Boris Gudonov : the music -- 11. Life alongside Boris I : The Nursery completed -- 12. Life alongside Boris II ; Khovanshchina begun -- 13. Two relationships : Pictures at an exhibition and Sunless -- 14. Khovanshchina -- 15. Songs and dances of death : last songs -- 16. Sorochintsy fair -- 17. Final years -- 18. Postlude : the century since -- Appendices: Calendar ; List of works ; Personalia ; Select bibliography.
0
SUMMARY OR ABSTRACT
Text of Note
"Brown shows how Musorgsky, though essentially an amateur with no systematic training in composition, emerged in his first opera, Boris Godunov, as a supreme musical dramatist. Indeed, in this opera, and in certain of his piano pieces in Pictures at an Exhibition, Musorgsky produced some of the most startlingly novel music of the whole nineteenth century. He was also one of the most original of all song composers, with a prodigious gift for uncovering the emotional content of a text. As Brown illuminates Musorgsky's work, he also paints a detailed portrait of the composer's life. He describes how, unlike the systematic and disciplined Tchaikovsky, Musorgsky was a fitful composer.
Text of Note
"David Brown gives us the first life-and-works study of Modest Musorgsky to appear in English for over a half century. Indeed, this is the largest such study of Musorgsky to have appeared outside Russia."
Text of Note
When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies."--Jacket.
PERSONAL NAME USED AS SUBJECT
Mussorgsky, Modest Petrovich,1839-1881.
Musorgskiı̆, M. P., (Modest Petrovich),1839-1881.
Moussorgski, Modeste Pétrovitch,1839-1881-- Critique et interprétation.