John Lewis and the challenge of "real" black music /
General Material Designation
[Book]
First Statement of Responsibility
Christopher Coady.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Ann Arbor :
Name of Publisher, Distributor, etc.
University of Michigan Press,
Date of Publication, Distribution, etc.
[2016]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
Jazz perspectives
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references, filmography, and index.
CONTENTS NOTE
Text of Note
Introduction ; 1. Branching Out: The Great Era of Venue Creation ; 2. "Bearded Undertakers": Rhythm and Reputation ; 3. "Finesse, Precision, and Logic": Musical Traditions and the African American Elite ; 4. Composition in Context: Lewis and the MJQ, 1952-62.
Text of Note
5. Lewis and Film Noir 6. "Real" Black Music ; Appendixes ; Appendix A: Formal Outlines of Selected Works ; Appendix B: Sait-on jamais (1957) Soundscape ; Appendix C: Odds against Tomorrow (1959) Soundscape ; Notes ; Bibliography ; Scores ; Filmography ; Index.
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SUMMARY OR ABSTRACT
Text of Note
For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. Christopher Coady explores the work ofone of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions to his leadershipof the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz. Along the way Coady shows how Lewis's fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazzand Third Stream music more broadly.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Source for Acquisition/Subscription Address
OverDrive, Inc.
Stock Number
22573/ctt1gqs7b4
Stock Number
A4587D7F-415C-4723-841C-9B19AF3B44BE
OTHER EDITION IN ANOTHER MEDIUM
International Standard Book Number
0472053205
PERSONAL NAME USED AS SUBJECT
Lewis, John,1920-2001-- Criticism and interpretation.
Lewis, John,1920-2001.
CORPORATE BODY NAME USED AS SUBJECT
Modern Jazz Quartet.
Modern Jazz Quartet.
TOPICAL NAME USED AS SUBJECT
Jazz-- 1941-1950-- History and criticism.
Jazz-- 1951-1960-- History and criticism.
Music and race-- United States-- History-- 20th century.