edited by Marijke de Valck, Brendan Kredell and Skadi Loist.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York, NY :
Name of Publisher, Distributor, etc.
Routledge,
Date of Publication, Distribution, etc.
2016.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xvii, 238 pages :
Other Physical Details
illustrations ;
Dimensions
25 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Preface -- The Film Festival and Film Culture's Transnational Essence / Dina Iordanova -- Introduction: What is a Film Festival? How to Study Festivals and Why You Should / Marijke de Valck -- History. Introduction / Brendan Kredell -- Making Film History at the Cannes Film Festival / Dorota Ostrowska -- Film Festivals in Asia: Notes on History, Geography and Power from a Distance / Julian Stringer -- The Film Festival Circuit: Networks, Hierarchies, and Circulation / Skadi Loist -- Theory. Introduction / Marijke de Valck -- Contingency, Time and Event: An Archaeological Approach to the Film Festival / Janet Harbord -- Publics and Counterpublics: Rethinking Film Festivals as Public Spheres / Cindy Hing-Yuk Wong -- Fostering Art, Adding Value, Cultivating Taste: Film Festivals as Sites of Cultural Legitimization / Marijke de Valck -- Method. Introduction / Skadi Loist -- Being There, Taking Place: Ethnography at the Film Festival / Toby Lee -- On Studying Film Festival Ephemera: The Case of Queer Film Festivals and Archives of Feelings / Ger Zielinski -- Positionality and Film Festival Research: a conversation / Diane Burgess and Brendan Kredell -- Practice. Introduction / Brendan Kredell -- Seeing Differently: The Curatorial Potential of Film Festival Programming / Roya Rastegar -- Affective Labor and the Work of Film Festival Programming / Liz Czach -- "The Festival Film": Film Festival Funds as Cultural Intermediaries / Tamara L. Falicov.
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SUMMARY OR ABSTRACT
Text of Note
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature of the topic, offering an authoritative and comprehensive introduction to the area.