rethinking music circulation in early modern England /
First Statement of Responsibility
edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Bloomington, Indiana :
Name of Publisher, Distributor, etc.
Indiana University Press,
Date of Publication, Distribution, etc.
[2017]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
Music and the early modern imagination
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres.
Text of Note
12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.
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5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England.
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SUMMARY OR ABSTRACT
Text of Note
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt1pcq67b
OTHER EDITION IN ANOTHER MEDIUM
International Standard Book Number
9780253024794
TOPICAL NAME USED AS SUBJECT
Music-- England-- 16th century-- History and criticism.
Music-- England-- 17th century-- History and criticism.
Music-- England-- 18th century-- History and criticism.