phantoms of time and time of phantoms : Aby Warburg's history of art /
First Statement of Responsibility
Georges Didi-Huberman ; translated by Harvey L. Mendelsohn.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
University Park, Pennsylvania :
Name of Publisher, Distributor, etc.
The Pennsylvania State University Press,
Date of Publication, Distribution, etc.
[2017]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 414 pages :
Other Physical Details
illustrations ;
Dimensions
26 cm
GENERAL NOTES
Text of Note
"Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche"--Provided by publisher.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
The image as phantom : survival of forms and impurities of time -- The image as pathos : lines of fracture and formulas of intensity -- The image as symptom : fossils in motion and montages of memory.
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SUMMARY OR ABSTRACT
Text of Note
"The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to understand the "life" of images. Drawing on a wide range of Warburg's unpublished letters and diaries, Didi-Huberman demonstrates unequivocally the complexity and importance of Warburg's ideas and the ways in which his legacy was both distorted and diffused as art history became a "humanistic" discipline. The Surviving Image takes Warburg as its main subject but also addresses broader questions regarding art historians' conceptions of time, memory, and symbols and the relationship between art and the rational and irrational forces of the psyche."--Publisher's description.
Text of Note
Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher.