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عنوان
Classics for the masses :

پدید آورنده
Pauline Fairclough.

موضوع
Sovetskaja Associacija Meždunarodnogo Prava,Music-- Soviet Union-- History and criticism.,Music.,Musik,Musik-- historia.,Soviet Union., 7

رده
ML300
.
F35
2016

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

INTERNATIONAL STANDARD BOOK NUMBER

(Number (ISBN
0300217196
(Number (ISBN
9780300217193

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
Classics for the masses :
General Material Designation
[Book]
Other Title Information
shaping Soviet musical identity under Lenin and Stalin /
First Statement of Responsibility
Pauline Fairclough.

.PUBLICATION, DISTRIBUTION, ETC

Place of Publication, Distribution, etc.
New Haven :
Name of Publisher, Distributor, etc.
Yale University Press,
Date of Publication, Distribution, etc.
[2016]
Date of Publication, Distribution, etc.
©2016

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
x, 283 pages :
Other Physical Details
illustrations ;
Dimensions
24 cm

INTERNAL BIBLIOGRAPHIES/INDEXES NOTE

Text of Note
Includes bibliographical references (pages 265-276) and index.

CONTENTS NOTE

Text of Note
Propagandizing the classics, 1917-1929 -- Cultural revolution, repertoire politics, and the classics -- Internationalism, modernism, and the 'Stalinist enlightenment, ' 1932-1941 -- Turning inwards : the rise of Russian nationalism, 1937-1941 -- From the great patriotic war to the Zhdanovshchina, 1941-1953.
0

SUMMARY OR ABSTRACT

Text of Note
"Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how 'undesirable' repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were 'canonized' during different, distinct periods in Stalinist culture. Fairclough's study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West."--Provided by publisher.

PARALLEL TITLE PROPER

Parallel Title
Shaping Soviet musical identity under Lenin and Stalin

CORPORATE BODY NAME USED AS SUBJECT

Sovetskaja Associacija Meždunarodnogo Prava

TOPICAL NAME USED AS SUBJECT

Music-- Soviet Union-- History and criticism.
Music.
Musik
Musik-- historia.

GEOGRAPHICAL NAME USED AS SUBJECT

Soviet Union.
7

DEWEY DECIMAL CLASSIFICATION

Number
780
.
947/0904
Edition
23

LIBRARY OF CONGRESS CLASSIFICATION

Class number
ML300
Book number
.
F35
2016

PERSONAL NAME - PRIMARY RESPONSIBILITY

Fairclough, Pauline,1970-

ORIGINATING SOURCE

Date of Transaction
20200822100640.0
Cataloguing Rules (Descriptive Conventions))
rda

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

[Book]

Y

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