Introduction -- Habima -- The Cameri -- Experimentations -- Aristophanes and the occupied territoreis -- The Trojan war and the Israeli-Palestinian conflict -- Lysistrata -- Nissim Aloni -- Hanoch Levin -- Classical presnces and 'post dramatic' performances -- The classical tradition in the university theatre -- Israeli theatre.
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SUMMARY OR ABSTRACT
Text of Note
This first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years offers ground-breaking analysis of a wide range of translations, adaptations, and new writing, and how performances of these works were created and staged at key points in the development of Israeli culture.