عنوان
پدید آورنده
موضوع
رده
ML196 .S35 2011
ML196
.
S35
2011
کتابخانه
محل استقرار
INTERNATIONAL STANDARD BOOK NUMBER
(Number (ISBN
0190258187
(Number (ISBN
0195093666
(Number (ISBN
9780190258184
(Number (ISBN
9780195093667
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
In the process of becoming :
General Material Designation
[Book]
Other Title Information
analytic and philosophical perspectives on form in early nineteenth-century music /
First Statement of Responsibility
Janet Schmalfeldt.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Oxford University Press,
Date of Publication, Distribution, etc.
[2011].
Date of Publication, Distribution, etc.
©2011
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xi, 337 pages :
Other Physical Details
illustrations, music, portraits. ;
Dimensions
24 cm.
SERIES
Series Title
Oxford studies in music theory
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 309-323) and index.
CONTENTS NOTE
Text of Note
Introduction: the idea of musical form as process -- The Beethoven-Hegelian tradition and the "Tempest" sonata -- The processual legacy of the late eighteenth century -- Beethoven's "Bridgetower" sonata, op. 47 -- On performance, analysis, and Schubert -- Music that turns inward : new roles for interior movements and secondary themes -- Mendelssohn the "Mozartean" -- ...sed non eodem modo : Chopin's ascending thirds progression and his Cello sonata, op. 65 -- Coming home.
0
SUMMARY OR ABSTRACT
Text of Note
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's account of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical investigation.--from publisher description.
TOPICAL NAME USED AS SUBJECT
Music-- 19th century-- Analysis, appreciation.
Music-- 19th century-- History and criticism.
Musical form-- History-- 19th century.
Music.
Musical form.
Musikalische Analyse
Musikalische Form
Musikalische Form.
Musikästhetik
Musikästhetik.
DEWEY DECIMAL CLASSIFICATION
Number
781
.
809/033
Edition
22
LIBRARY OF CONGRESS CLASSIFICATION
Class number
ML196
Book number
.
S35
2011
OTHER CLASS NUMBERS
Class number
J605
System Code
clc
PERSONAL NAME - PRIMARY RESPONSIBILITY
Schmalfeldt, Janet,1945-
ORIGINATING SOURCE
Date of Transaction
20200822091435.0
Cataloguing Rules (Descriptive Conventions))
rda
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب [Book]
Y
