writings on texture from Plato's cave to urban activism /
First Statement of Responsibility
Teemu Paavolainen.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Cham, Switzerland :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
[2018]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (XIII, 286 pages) :
Other Physical Details
7 illustrations
SERIES
Series Title
Performance Philosophy
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
1. Introduction: Theatrical Metaphors, Textile Philosophies -- 2. Emptiness and Excess: The Cave, the Colonnade, and the Cube -- 3. Directorial Perspectives: The Image, the Platform, the Tightrope -- 4. "Revolving It All": Weaves of Memory in Amadeus and Footfalls -- 5. Smart Homes and Dwelling Machines: Function, Ornament, and Cognition -- 6. Protest in Colour and Concrete: Theatrical Textures in the Urban Fabric -- 7. Knots and Loose Ends: Cycles of Change, Metaphors of Range.
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SUMMARY OR ABSTRACT
Text of Note
This book reinterprets theatricality and performativity through a dramaturgy of texture and weaving. As cultural metaphors, theatricality and performativity evoke practices of seeing and doing, but also conflicting values of novelty and normativity. With anthropologist Tim Ingold and philosopher Stephen C. Pepper, this study explores a series of intertwining threads, from the theatrical to the performative: Antitheatrical (Plato, the Baroque, Michael Fried); Pro-theatrical (directors Wagner, Fuchs, Meyerhold, Brecht, and Brook); Dramatic (weaving memory in Shaffer's Amadeus and Beckett's Footfalls); Efficient (from modernist "machines for living in" to the "smart home"); Activist (knit graffiti, clown patrols, and the Anthropo(s)cene). An approach is developed in which 'performativity' names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of 'theatricality'.