Intro; Contents; Contributors; Part I: Scene Setting; Chapter 1: Introduction and Overview: Who, What, Why; Chapter 2: Narrative Theory for Complexity Scientists; 1 Introduction; 2 Narrative; 2.1 Sequence; 2.2 Temporal; 2.3 Linear; 2.4 Articulation; 2.5 Semiotic; 3 Implications; References; Chapter 3: Complex Systems for Narrative Theorists; 1 Introduction; 2 Models and Meta-Models; 3 Novelty, Innovation, and Emergence; 4 Linear vs. Non-Linear; 4.1 Scale/Magnitude Non-Linearity; 4.2 Temporal Non-Linearity; 5 Dynamical Systems Theory; 5.1 Trajectories; 5.2 Determinism; 5.3 Attractors
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1 Introduction2 The `Situatedness ́of Understanding; 3 Interpretation and Priming of Past Events; 4 Multiplicity of Point of View and Complex Adaptive Systems; 5 Virtual Reality and Narrative Engines; 6 Complex Narratives; 7 Conclusions; References; Chapter 12: Three-Way Dialogue (Closure, Proteus, History); 1 To Adam, on ``Closure, Observation and Coupling;́́ 2 To Federico, on ``The Proteus Principle;́́ 3 To Romana, on ``Narrative Experiences of History and Complex Systems;́́ References; Chapter 13: (Gardening) Gardening: A Relational Framework for Complex Thinking About Complex Systems
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5 The Evocation of Wonder6 Omniscience and Narration; 7 Narrating the Unnarratable; References; Chapter 6: Discussion and Comment (Sense and Wonder); References; Chapter 7: A Simple Story of a Complex Mind?; 1 Introduction; 2 Agency, Action and the Narrative Mind; 3 Mind as a Complex System; 4 Enacting Complexity; 5 Conclusion; References; Chapter 8: Discussion and Comment (A Simple Story of a Complex Mind?); Chapter 9: Closure, Observation and Coupling: On Narrative and Autopoiesis; 1 Introduction; 2 Closure; 3 Observation; 4 Coupling; 5 Conclusion; References
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5.4 Bifurcations5.5 Edge of Chaos; 6 Concepts and Metaphors; References; Part II: Contributed Essays; Chapter 4: When Robots Tell Each Other Stories: The Emergence of Artificial Fiction; 1 Introduction; 2 Internal Models and Dennettś Tower of Generate and Test; 3 A Generic Internal Modelling Architecture (for Safety); 4 An Embodied Computational Model of Storytelling; 5 What Could We Learn from This Model?; References; Chapter 5: Sense and Wonder: Complexity and the Limits of Narrative Understanding; 1 Introduction; 2 Defining Emergence; 3 Surprise and Suspense; 4 Knowledge and Understanding
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Chapter 10: Looking at Narrative as a Complex System: The Proteus Principle1 Introduction; 2 Theoretical Premises; 2.1 What Is a Theory?; 2.2 Narrative Organization and Narrative Structure; 2.3 Theories: Scope and Logical Types; 3 The Proteus Principle: A Pattern for Many Theories; 3.1 The Proteus Principle in the Light of Systems Theory; 3.2 Meir Sternbergś Narrative Theory; 3.3 How to Use the Proteus Principle; 4 One Pattern for Many Theories (Looking at Narrative Studies as a Complex System); 5 Conclusions; References; Chapter 11: Narrative Experiences of History and Complex Systems
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SUMMARY OR ABSTRACT
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This book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Springer Nature
Stock Number
com.springer.onix.9783319647142
OTHER EDITION IN ANOTHER MEDIUM
Title
Narrating complexity.
International Standard Book Number
9783319647128
TOPICAL NAME USED AS SUBJECT
Complexity (Linguistics)
Narration (Rhetoric)
Artificial intelligence.
Complexity (Linguistics)
Creative writing & creative writing guides.
Film, TV & radio.
Graphical & digital media applications.
LANGUAGE ARTS & DISCIPLINES-- Composition & Creative Writing.