Drugs and the addiction aesthetic in nineteenth-century literature /
General Material Designation
[Book]
First Statement of Responsibility
Adam Colman.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Cham, Switzerland :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
[2019]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
Palgrave Studies in Literature, Science and Medicine
CONTENTS NOTE
Text of Note
Intro; Acknowledgments; Contents; Chapter 1: Introduction; Coleridge and the Addicted Imagination; Modality, Formalism, and Literary Science; Chapter Overview; Terms and Definitions; The Nature of Addiction and of the Addiction-like; Bibliography; Chapter 2: Shelley, Alcohol, and the "world we make": Habit's Patterns in The Cenci; Terminology; Places Patterned by Habit and Exploratory Poetry; From Enlightenment Custom to Shelley's Conflicting Kinds of Recurrence; Count Cenci's Gothic Realm; The Possibility of a Better Place; Bibliography.
Text of Note
Chapter 3: The Labyrinths of De Quincey's Confessions of an English Opium-EaterDe Quincey's Aesthetic Habits; The Possibilities of Habits; The Addict's Labyrinth; Bibliography; Chapter 4: From Lotos-Eaters to Lotus-Eaters: Tennyson's And Rossetti's Mediated Addiction; Tennyson, Addiction, and Lucretius; Lotos-Eaters; The Mediation of Romantic Precedent; From "Lotos-Eaters" to "Lotus-Eaters"; Goblin Market's Addiction-Like Thinking; Bibliography; Chapter 5: Bleak House's Addictive Detective-Work; Conflicting Habits in a Habit-Formed World.
Text of Note
Macnish and the Literary-Scientific Associations with AddictionBleak House's Habitual Seekers; Skimpole's Addictive World-Making; Bibliography; Chapter 6: Optative Movement and Drink in Dr Jekyll and Mr Hyde; Stevenson's Cinema; Keats's Intoxicating Indolence; Stevenson's Keatsian Addiction; The Addict's Rambles; Material Immateriality; Bibliography; Chapter 7: Epilogue: Generic Variety in Marie Corelli's Wormwood and Beyond; The Addiction Aesthetic in the Twenty-First Century; Bibliography; Index.
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SUMMARY OR ABSTRACT
Text of Note
This book explores the rise of the aesthetic category of addiction in the nineteenth century, a century that saw the development of an established medical sense of drug addiction. Drugs and the Addiction Aesthetic in Nineteenth-Century Literature focuses especially on formal invention--on the uses of literary patterns for intensified, exploratory engagement with unattained possibility--resulting from literary intersections with addiction discourse. Early chapters consider how Romantics such as Thomas De Quincey created, with regard to drug habit, an idea of habitual craving that related to self-experimenting science and literary exploration; later chapters look at Victorians who drew from similar understandings while devising narratives of repetitive investigation. The authors considered include De Quincey, Percy Shelley, Alfred Tennyson, Christina Rossetti, Charles Dickens, Robert Louis Stevenson, and Marie Corelli.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Springer Nature
Stock Number
com.springer.onix.9783030015909
OTHER EDITION IN ANOTHER MEDIUM
Title
Drugs and the addiction aesthetic in nineteenth-century literature.
International Standard Book Number
9783030015893
TOPICAL NAME USED AS SUBJECT
Aesthetics.
Drug abuse in literature.
Drug addiction in literature.
English literature-- 19th century-- History and criticism.