Includes bibliographical references (pages 213-223) and index.
CONTENTS NOTE
Text of Note
Introduction: Being gorgeous and feminism -- Part I: Sexuality, gender and the art and erotics of visual extravagance. Drop dead gorgeous -- Skin deep -- Part II: The pleasure of the visual (being gorgeous and 'low'). Crinoline and cupcakes : dangerous identities -- Powder puffs and beauty spots : spectacular objecthood -- Part III: Bitter/sweet poetry (being gorgeous and the 'high'). The paradoxical body -- The sexual body -- Part IV: A rebellion of the senses. Pleasure, violence and the sensual spectacle -- Creative spectatorship and the political imagination -- Conclusion.
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SUMMARY OR ABSTRACT
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Being Gorgeous explores the ways in which extravagance, flamboyance and dressing up can open up possibilities for women to play around anarchically with familiar stereotypical tropes of femininity. Jacki Willson discusses how whether through pastiche, parody or pure pleasure, artists, artistes and indeed the spectators themselves can operate in excess of the restrictive images which saturate our visual culture. By referring to a wide spectrum of examples from our current 'low' and 'high' culture, including Sofia Coppola's Marie Antoinette, Matthew Barney, Naked Girls Reading, Dr Sketchy's, Audacity Chutzpah, Burly Q and Carnesky's Ghost Train, Being Gorgeous demonstrates how contemporary female performers embody, critique and thoroughly relish their own representation by inappropriately re-appropriating femininity. This is a protest through play - a pleasurable misbehaviour that reflects a feminism for the twenty-first century, where women are playing up a clichéd spectacle in order to wrest back control over their sensual sexual selves as subject and as image -- Book Jacket.